Irish flat cap sewing pattern11/14/2023 ![]() General trends Isaac Oliver's allegorical painting of 1590–95 contrasts virtuous and licentious dress and behavior. The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons. ![]() Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. ![]() Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. Costume in the second half of the 16th centuryĮnglish opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth Iįashion in the period 1550–1600 in European clothing was characterized by increased opulence. ![]()
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